Series |
Preface |
Preface to the Sixth Edition |
Fundamentals / Part 1: |
Spectral Colour Reproduction / 1: |
Introduction / 1.1: |
The spectrum / 1.2: |
The micro-dispersion method of colour photography / 1.3: |
The Lippmann method / 1.4: |
Use of identical dyes / 1.5: |
Approximate spectral colour reproduction / 1.6: |
A simplified approach / 1.7: |
Trichromatic Colour Reproduction and the Additive Principle / 2: |
Maxwell's method / 2.1: |
The physiology of human colour vision / 2.3: |
Spectral sensitivity curves of the retina / 2.4: |
Unwanted stimulations / 2.5: |
Additive Methods / 3: |
The successive frame method / 3.1: |
The mosaic method / 3.3: |
The lenticular method / 3.4: |
The virtual-image method / 3.5: |
The diffraction method / 3.6: |
Errors in additive methods / 3.7: |
The Subtractive Principle / 4: |
The subtractive principle / 4.1: |
Defects of the subtractive principle / 4.3: |
Visual Appreciation / 5: |
The basis of judgement / 5.1: |
Variations of hue / 5.3: |
Variations of lightness / 5.4: |
Variations of colourfulness / 5.5: |
Priorities / 5.6: |
Factors affecting apparent colour balance / 5.7: |
Integrating to grey / 5.8: |
The perception of depth / 5.9: |
Tone Reproduction / 6: |
Identical viewing conditions / 6.1: |
Characteristic curves / 6.3: |
Different luminance levels / 6.4: |
Different surround conditions / 6.5: |
Complications with solid objects / 6.6: |
Comparisons of transparencies and reflection prints / 6.7: |
Colourfulness / 6.8: |
Exposure latitude / 6.9: |
Tone reproduction in duplicating / 6.10: |
Tone reproduction in television / 6.11: |
Lighting geometry / 6.12: |
Conclusions / 6.13: |
The Colour Triangle / 7: |
Colour terminology / 7.1: |
Trichromatic matching / 7.3: |
Colour-matching functions / 7.4: |
The colour triangle / 7.5: |
The centre of gravity law / 7.6: |
Other colour triangles / 7.7: |
Additive colour reproduction / 7.8: |
The Ives-Abney-Yule compromise / 7.9: |
Colour gamuts of reflecting and transmitting colours / 7.10: |
Two-colour reproductions / 7.11: |
Colour Standards and Calculations / 8: |
Standard illuminants / 8.1: |
The Standard Observers / 8.3: |
Colour transformations / 8.4: |
Properties of the XYZ system / 8.5: |
Uniform chromaticity diagrams / 8.6: |
Nomograms / 8.7: |
Uniform colour spaces / 8.8: |
Subjective effects / 8.9: |
Haploscopic matching / 8.10: |
Subjective colour scaling / 8.11: |
Physical colour standards / 8.12: |
Whiteness / 8.13: |
The Colorimetry of Subtractive Systems / 9: |
Subtractive chromaticity gamuts / 9.1: |
Subtractive gamuts in the colour solid / 9.3: |
Spectral sensitivities for block dyes / 9.4: |
Spectral sensitivities for real dyes / 9.5: |
MacAdam's analysis / 9.6: |
Umberger's analysis / 9.7: |
Two-colour subtractive systems / 9.8: |
Subtractive quality / 9.9: |
Light Sources / 10: |
Tungsten lamps / 10.1: |
Spectral-power converting filters / 10.3: |
Daylight / 10.4: |
Fluorescent lamps / 10.5: |
Sodium, mercury, and metal-halide lamps / 10.6: |
Xenon arcs / 10.7: |
Carbon arcs / 10.8: |
Photographic flash-bulbs / 10.9: |
The red-eye effect / 10.10: |
Correlated colour temperatures of commonly used light sources / 10.11: |
Colour rendering of light sources / 10.12: |
Visual clarity / 10.13: |
Polarization / 10.14: |
Series |
Preface |
Preface to the Sixth Edition |
Fundamentals / Part 1: |
Spectral Colour Reproduction / 1: |
Introduction / 1.1: |