Minimalism

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Minimalism / Hartmut Obendorf

資料種別:: 電子ブック
出版情報:: Springer eBooks Computer Science
Springer London, 2009
著者名:: Obendorf, Hartmut
ISBN:: 9781848823709 [1848823703]
9786612332135 [6612332131]
9781447122845 [1447122844]
書誌ID:: OB00350728

子書誌情報

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所蔵情報

書誌詳細

言語:

英語

目次情報:

Designing for an Age of Complexity / Part I：

Minimalism: Introduction and Synopsis / 1：

Motivations for Minimalism in HCI / 1.1：

Machine Beauty = Power + Simplicity / 1.1.1：

Reduction-Give Up or Gain? / 1.1.2：

Minimalism: Borrowing the Extreme from the Arts / 1.1.3：

Minimalism in a Nutshell / 1.2：

Four Notions of Minimalism, Their Relationship, and Design / 1.2.1：

An Example Analysis Using Notions of Minimalism / 1.2.2：

Minimalism, Products, and Processes / 1.2.3：

Defining the Scope of Minimalist Terminology / 1.3：

Minimalism-Mathematic Minimalism / 1.3.1：

Minimalism-Linguistic Minimalism / 1.3.2：

Minimalism-Documentation Minimalism / 1.3.3：

Minimalism-Folk Minimalism / 1.3.4：

Finding a Minimalism for Interaction Design / 1.4：

References

Defining Minimalism / Part II：

In Search of "Minimalism"-Roving in Art, Music and Elsewhere / 2：

Minimalism in the Arts / 2.1：

Rauschenberg, Klein and Newman: Birth of Minimal Painting / 2.1.1：

Reinhardt: Art-as-Art / 2.1.2：

Stella: To See What Is There / 2.1.3：

Radical Minimalism and Post-Minimalist Painting / 2.1.4：

Judd, Andre, Flavin, and Morris: Minimal Objects / 2.1.5：

LeWitt: Minimal Structure in Minimalist Sculpture / 2.1.6：

Post-Minimalist Sculpture / 2.1.7：

Minimal Art: Art as Art or Cooperative Sense-Building? / 2.1.8：

Minimalism in Music / 2.2：

The Origins of Minimal Music / 2.2.1：

Terry Riley / 2.2.2：

La Monte Young / 2.2.3：

Philip Glass / 2.2.4：

Steve Reich / 2.2.5：

Summarizing Minimalism in Music / 2.2.6：

Minimalism Found Elsewhere / 2.3：

Literary Minimalism: Roots in Hemingway, Archetype in Carver / 2.3.1：

Minimalism in Architecture / 2.3.2：

Minimalism in Typography / 2.3.3：

Homing in on Minimalism: Summarizing the Art perspective / 2.4：

Minimality of Means / 2.4.1：

Minimality of Meaning / 2.4.2：

Minimality of Structure / 2.4.3：

Use of Patterns / 2.4.4：

Involvement of the recipient / 2.4.5：

The Minimalist Perspective and Criticism / 2.4.6：

Minimalism for Interaction Design: a Proposal / 3：

Meanings of Minimalism in HCI-A Transfer from the Arts / 3.1：

Defining Four Notions of the Minimal for Interaction Design / 3.2：

Minimal Functionality for User Interfaces / 3.2.1：

Minimal Structure for User Interfaces / 3.2.2：

Minimal Architecture for User Interfaces / 3.2.3：

Minimal Composition for User Interfaces / 3.2.4：

A Minimalist Terminology for the Design of Interactive Systems / 3.2.5：

Summary / 3.3：

Rethinking Minimalism / Part III：

Minimalism, Industrial Design and HCI / 4：

Following the Roots in Industrial Design / 4.1：

Standards in Interaction Design and Minimalism / 4.2：

HCI Lore and Minimalism / 4.3：

Rules of Noble Metal and Minimalism / 4.3.1：

Interface Guidelines and Minimalism / 4.3.2：

Discussion / 4.3.3：

Minimalism, Simplicity and Rules of Design / 4.4：

Deep Design: Causes of Clutter and Excise / 5.1：

Visibility of Interface Elements / 5.2：

Access Structure / 5.3：

Minimalism and Consistency / 5.4：

Minimalism and Conceptions of Design / 5.5：

Minimalism and Simplicity / 5.6：

Limits of the Notion of Simplicity / 5.6.1：

Revisiting the Four Notions of Minimalism / 5.7：

Applying Minimalism / Part IV：

Detecting the Minimal / 6：

Functional Minimalism / 6.1：

Cutting Edges / 6.1.1：

Apple GarageBand (i-Series 1) / 6.1.2：

The CommSy Community System / 6.1.3：

Word Processing / 6.1.4：

Refining the Notion of Functional Minimalism / 6.1.5：

Structural Minimalism / 6.2：

Remote Controls / 6.2.1：

The Palm Handheld / 6.2.2：

Minimal Access Structures for Mobile Communication / 6.2.3：

HyperScout: Enhancing Link Preview in the World Wide Web / 6.2.4：

World Processing / 6.2.5：

Refining the Notion of Structural Minimalism / 6.2.6：

Architectural Minimalism / 6.3：

Building Blocks / 6.3.1：

Apple Automator (i-Series 2) / 6.3.2：

Sketch Up / 6.3.3：

Apple iPod / 6.3.4：

Web 2.0 / 6.3.5：

Refining the Notion of Architectural Minimalism / 6.3.6：

Compositional Minimalism / 6.4：

Old Buildings Learn / 6.4.1：

A Sticky Story: The Post-it Note / 6.4.2：

E-mail / 6.4.3：

PowerPoint / 6.4.4：

WikiWikiWebs / 6.4.5：

Refining the Notion of Compositional Minimalism / 6.4.6：

Reflections on the Four Notions of Minimalism / 6.5：

A First Assessment of Suitability for the Analysis of Products / 6.5.1：

Design Advice / 6.5.2：

Designing the Minimal / 7：

Process Matters / 7.1：

A Direct Approach: Reduction as a Design Activity / 7.2：

The Minimal Design Game / 7.2.1：

First Experiences / 7.2.2：

The Indirect Approach: Changing the Process / 7.2.3：

Scoping Reduction / 7.3.1：

Defining Scope: Using Personas / 7.4：

Personas and Notions of Minimalism / 7.4.1：

Reduction and the Use of Personas / 7.4.2：

Defining Use: Scenario Techniques / 7.5：

Scenarios and Notions of Minimalism / 7.5.1：

Scenario-Based Design / 7.5.2：

Reduction and the Use of Scenarios / 7.5.3：

Defining Architecture: Small Steps and Agile Methods / 7.6：

Simplicity in Software Engineering / 7.6.1：

Minimalism in Agile Development / 7.6.2：

Reduction in Agile Methods / 7.6.3：

Defining Growth: Using Values in Design / 7.7：

Values in Software / 7.7.1：

Case Study: CommSy-Designing with Values / 7.7.2：

Sharing Explicit Values in Communities of Interest / 7.7.3：

Reduction in Value-Based Development / 7.7.4：

Engineering Simplicity? A Reality Check / 7.8：

Reflections on Minimalism / Part V：

Minimalism Revisited / 8：

The Minimal Perspective on Design / 8.1：

Minimalism as an Analytic Tool / 8.2：

Minimalism as a Constructive Tool / 8.3：

A Minimalist Design Method: The Minimal Design Game / 8.3.1：

Indirect Minimalism in Existing Methods / 8.3.2：

Refining the Definition of Minimalism / 8.4：

Functional Minimalism Revisited / 8.4.1：

Structural Minimalism Revisited / 8.4.2：

Architectural Minimalism Revisited / 8.4.3：

Compositional Minimalism Revisited / 8.4.4：

Implications of a Minimalist Standpoint for Design / 8.5：

Minimal Aesthetics / 9：

Unconnected Ends / 10：

Conclusion / 11：

Index

Designing for an Age of Complexity / Part I：

Minimalism: Introduction and Synopsis / 1：

Motivations for Minimalism in HCI / 1.1：

Machine Beauty = Power + Simplicity / 1.1.1：

Reduction-Give Up or Gain? / 1.1.2：

Minimalism: Borrowing the Extreme from the Arts / 1.1.3：

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