Shakespeare: Prefatory Remarks |
Introduction |
All's Well That Ends Well |
Textual Note |
The Source of All's Well That Ends Well |
from The Palace of Pleasure / William Painter |
Commentaries |
from The Plays of William Shakespeare / Samuel Johnson |
from Shakespeare and Elizabethan Poetry / M. C. Bradbrook |
Longing, Idealization, and Sadness in All's Well That Ends Well / Joseph Westlund |
All's Well That Ends Well on the Stage / Sylvan Barnet |
Suggested References |
Editors' |
Shakespeare: All's Well That Ends Well Shakespeare: An Overview |
Preface |
Biographical Sketch |
Shakespeare's All's Well That Ends Well |
A Note on the Anti-Stratfordians, Especially Baconians and Oxfordians |
Reading, Shakespeare's Language |
The Shakespeare Canon |
Shakespeare's English |
Shakespeare's Life |
Shakespeare's Theater |
Shakespeare's Theater |
A Note on the Use of Boy Actors in Female Roles |
The Publication of Shakespeare's Plays |
Shakespeare's Dramatic Language: Costumes, Gestures and Silences; Prose and Poetry |
An Introduction to This Text |
The Play Text as a Collaboration |
Editing Texts |
Text of the Play with Commentary |
Shakespeare on the Stage |
Longer Notes |
Textual Notes |
All's Well That Ends Well |
The Source of All's Well That Ends Well / David McCandless |
All's Well That Ends Well: A Modern Perspectiveby |
William Painter From The Palace of Pleasure |
Further Reading |
Key to Famous Lines and Phrases |
Samuel Johnson From The Plays of William Shakespeare / M.C. Bradbrook From Shakespeare and Elizabethan Poetry |
Joseph Westlund Longing, Idealization, and Sadness in All's Well That Ends Well |
Bruce Smith What Doing It in the Dark, Without Words, Tells Us About Early Modern Sexuality |
Sylvan Barnet All's Well That Ends Well on Stage and Screen |
Shakespeare: Prefatory Remarks |
Introduction |
All's Well That Ends Well |