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1.

図書

図書
edited by J. Carmona, J. Dixmier, and M. Vergne
出版情報: Berlin ; New York : Springer-Verlag, 1975  vi, 231 p. ; 25 cm
シリーズ名: Lecture notes in mathematics ; 466
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2.

図書

図書
edited by Jacques Carmona and Michèle Vergne
出版情報: Berlin ; New York : Springer-Verlag, 1979  244 p. ; 25 cm
シリーズ名: Lecture notes in mathematics ; 728
所蔵情報: loading…
目次情報: 続きを見る
Introduction to Acoustics / 1:
Fundamental Physical Principles / 1.1:
Sound Pressure / 1.1.1:
Particle Velocity / 1.1.2:
Sound Power / 1.1.3:
Frequency / 1.1.4:
The Speed of Sound / 1.1.5:
Wavelength / 1.1.6:
Characteristics of the Auditory System / 1.2:
The Sensation of Loudness / 1.2.1:
Masking / 1.2.2:
Directional Characteristics / 1.2.3:
Directional Hearing / 1.2.4:
The Cocktail Party Effect / 1.2.5:
Masking for the Musician / 1.2.6:
Sensitivity to Changes in Frequency and Sound Pressure Level / 1.2.7:
Structure of Musical Sound / 2:
Introducing the Model / 2.1:
Frequency-and Level: Structures / 2.2:
The Harmonic Tone Structure of Sound Spectra / 2.2.1:
The Frequency Range of Sound Spectra / 2.2.2:
Formants / 2.2.3:
The Effect of Individual Partials / 2.2.4:
Frequency Width of Partials / 2.2.5:
Noise Contributions / 2.2.6:
Dynamics and the Sound Spectrum / 2.2.7:
Dynamic Range and Sound Power / 2.2.8:
Time Structures / 2.3:
Deviations from a Steady Vibration Process / 2.3.1:
The Starting Transient / 2.3.2:
Inharmonic Components / 2.3.3:
Decay of Resonating Systems / 2.3.4:
Decay Time and Reverberation Time / 2.3.5:
Fluctuations in the Quasistationary Part / 2.3.6:
Tonal Characteristics of Musical Instruments / 3:
Brass Instruments / 3.1:
The French Horn / 3.1.1:
The Trumpet / 3.1.2:
The Trombone / 3.1.3:
The Tuba / 3.1.4:
Woodwind Instruments / 3.2:
The Flute / 3.2.1:
The Oboe / 3.2.2:
The Clarinet / 3.2.3:
The Bassoon / 3.2.4:
String Instruments / 3.3:
The Violin / 3.3.1:
The Viola / 3.3.2:
The Cello / 3.3.3:
Double Bass / 3.3.4:
The Piano / 3.4:
Sound Spectra / 3.4.1:
Dynamics / 3.4.2:
Time Structure / 3.4.3:
The Harpsichord / 3.5:
The Harp / 3.5.1:
Percussion Instruments / 3.6.1:
Timpani / 3.7.1:
The Bass Drum / 3.7.2:
Snare Drum / 3.7.3:
Gong / 3.7.4:
Cymbals / 3.7.5:
The Triangle / 3.7.6:
The Singing Voice / 3.8:
Choral Singing / 3.8.1:
Foundations of Directional Sound Radiation / 4:
Directional Effects and Polar Diagrams / 4.1.1:
Evaluation and Representation / 4.1.2:
General Considerations / 4.2:
The Double Bass / 4.4.2:
The Grand Piano / 4.5:
Lid Open / 4.5.1:
Lid Closed / 4.5.2:
Lid Half Open / 4.5.3:
Lid Removed / 4.5.4:
The Timpani / 4.5.5:
The Drum / 4.7.2:
Gongs / 4.7.3:
Color Plates Following Page / 4.8:
Foundations of Room Acoustics / 5:
Reflection and Refraction / 5.1:
Reflection from a Flat Surface / 5.1.1:
Reflection from Curved Surfaces / 5.1.2:
Influence of the Wavelength / 5.1.3:
Absorption / 5.2:
Reverberation / 5.3:
Direct Sound and Diffuse Field / 5.4:
The Energy Density / 5.4.1:
The Direct Sound / 5.4.2:
Diffuse-Field Distance / 5.4.3:
Temporal Structure of the Sound Field / 5.5:
Acoustical Properties of Old and New Performance Spaces / 6:
Concert Halls / 6.1:
Tonal Requirements / 6.1.1:
Reverberation Time and Hall Size / 6.1.2:
Sound Field and Hall Shape / 6.1.3:
Acoustic Conditions on the Stage / 6.1.4:
The Location of the Conductor / 6.1.5:
Opera Houses / 6.2:
Reverberation Time and Room Size / 6.2.1:
Direct Sound and Early Reflections / 6.2.2:
Churches / 6.3:
Chamber Music Halls / 6.4:
Studios / 6.5:
Special Purpose Rooms / 6.6:
Open Air Stages / 6.7:
Seating Arrangement in the Concert Hall / 7:
Customary Positioning of Instrument Groups / 7.1:
The Tonal Effect in the Hall / 7.2:
Grand Pianos / 7.2.1:
Harps / 7.2.6:
Combined Sound of the Orchestra / 7.2.7:
Singing Voices / 7.2.8:
Acoustic Considerations for Instrumentation and Playing Technique / 8:
Strength of Ensembles / 8.1:
Historical Development / 8.1.1:
Adapting to the Hall / 8.1.2:
Performance Technique / 8.2:
Articulation and Tone Presentation / 8.3.1:
Vibrato / 8.3.2:
Playing Positions of Wind Instruments / 8.3.3:
Tempo and Room Acoustics / 8.4:
Acoustical Problems in the Opera House / 9:
Strength of the Orchestra / 9.1:
Sound Level in the Hall / 9.1.1:
Sound Level in the Orchestra Pit / 9.1.3:
Seating Arrangement in the Orchestra Pit / 9.2:
Customary Arrangements of Instrument Groups / 9.2.1:
Balance between Singers and Orchestra / 9.2.2:
Arrangement of Choirs and Music on Stage / 9.4:
Musicians in the Scene / 9.4.1:
Musicians behind the Scene / 9.4.2:
Appendix Table for Angular Dependence of the Statistical Directivity Factor
References
Subject Index
Author, Composer, and Composition Index
Introduction to Acoustics / 1:
Fundamental Physical Principles / 1.1:
Sound Pressure / 1.1.1:
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