| Long Papers |
| Subsumption of Vertical Viewpoint Patterns / Mathieu Bergeron ; Darrell Conklin |
| Building Topological Spaces for Musical Objects / Louis Bigo ; Jean-Louis Giavitto ; Antoine Spicher |
| A Model for Collective Free Improvisation / Clément Canonne ; Nicolas Garnier |
| On a Class of Locally Symmetric Sequences: The Right Infinite Word Λθ / Norman Carey |
| Sensitive Interval Property for Scales as Words in the Free Group F2 / David Clampitt |
| Commuting Groups and the Topos of Triads / Thomas M. Fiore ; Thomas Noll |
| Spelled Heptachords / Julian Hook |
| Fundamental Passacaglia: Harmonic Functions and the Modes of the Musical Tetractys / Karts de Jong |
| Musical Tonality, Neural Resonance and Hebbian Learning / Edward W. Large |
| Interval Cycles, Affinity Spaces, and Transpositional Networks / José Oliveira Martins |
| Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty Over Time / Agustín Martorell ; Emilia Gómez |
| Musical Composition and Gestural Diagrams / Guerino Mazzola ; Florian Thalmann |
| Tonal Scales and Minimal Simple Pitch Class Cycles / David Meredith |
| Scratching the Scale Labyrinth / Andrew J. Milne ; Martin Carlé ; William A. Sethares ; Simon Holland |
| Nth Roots of Pitch-Class Inversion / Robert W. Peck |
| Cardinality Transformations in Diatonic Space / Richard Plotkin |
| Indeterminate Music and Probability Spaces: The Case of John Cage's Number Pieces / Alexandre Popoff |
| Voice-Leading Prototypes and Harmonic Function in Two Chorale Corpora / Ian Quinn ; Panayotic Mavromatis |
| Emergent Formal Structures of Factor Oracle-Driven Musical Improvisations / Isaac Schankler ; Jordan B.L. Smith ; Alexandre R. J. François ; Elanic Chew |
| Open Form and Two Combinatorial Musical Models: The Cases of Domaines and Duel / Benny Sluchin ; Mikhail Malt |
| Exploding the Monochord: An Intuitive Spatial Representation of Microtonal Relational Structures / Nicholas Stylianou |
| Music between Hearing and Counting (A Historical Case Chosen Within Continuous Long-Lasting Conflicts) / Tito M. Tonietti |
| Mazzola's Model of Fuxian Counterpoint / Dmitri Tymoczko |
| Introduction to Scale Theory over Words in Two Dimensions / Markek Zabka |
| Short Papers (Poster Sessions) |
| The Planet-4D Model: An Original Hypersymmetric Music Space Based on Graph Theory / Gilles Baroin |
| Motivic Topologies: Mathematical and Computational Modelling in Music Analysis / Chantal Buteau ; Christina Anagnostopoulou |
| Exploring Rameau and Beyond: A Corpus Study of Root Progression Theories / Thomas Hedges ; Martin Rohrmeier |
| Melodic Morphing Algorithm in Formalism / Keiji Hirata ; Satoshi Tojo ; Masatoshi Hamanaka |
| From 2D to 3D: Using Geometry and Group Theory to Model Motivic Structure in Musical Composition / Jocelyn Ho |
| Clustering and Classification of Music by Interval Categories / Aline Honingh ; Rens Bod |
| Plactic Classification of Modes / Franck Jedrezejewski |
| Feature Extraction Using Pitch Class Profiles Information Entropy / Maximos A. Kaliakatsos-Papakostas ; Michael G. Epitropakis ; Michael N. Vrahatis |
| Catastrophe Theory: An Enhanced Structural and Ontological Space in Music Composition / Fani Kosona ; Leontios Hadjileontiadis |
| Enriched Score Access for Computer Assisted Composition in PWGL / Mika Kuuskankare |
| Historical Development of Tonal Syntax: Counting Pitch-Class Sets in 13th - 16th Century Polyphonic Vocal Music / Richard Parncutt ; Fabio Kaiser ; Craig Sapp |
| Surveying Musical Form through Melodic-Motivic Similarities / Atte Tenkanen |
| Author Index |
| Long Papers |
| Subsumption of Vertical Viewpoint Patterns / Mathieu Bergeron ; Darrell Conklin |
| Building Topological Spaces for Musical Objects / Louis Bigo ; Jean-Louis Giavitto ; Antoine Spicher |
