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電子ブック
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1. Flow, Gesture, and Spaces in Free Jazz
Guerino Mazzola, Moreno Andreatta, P. B. Cherlin, Paul B. Cherlin, Heinz Geisser, Tetrade (Musical group)
出版情報: Springer eBooks Computer Science , Springer Berlin Heidelberg, 2009
所蔵情報: loading…
目次情報: 続きを見る
Getting off Ground / Part I：
What Is Free Jazz? / 1：
The Social, and Political, and Musical Origins of the Movement / 1.1：
A Provisional Positive Characterization / 1.2：
Jazz in Transition / 2：
Archie Shepp in Donaueschingen / 2.1：
John Coltrane's A Love Supreme / 2.2：
Cecil Taylor and Buell Neidlinger / 2.3：
Bill Evans: Gestural Dialogs / 2.4：
The Landscape of Free Jazz / Part II：
Out of this World / 3：
Sun Ra: An Extraterrestrial Romantic / 3.1：
Coltrane's Om / 3.2：
Mythologies of The Art Ensemble of Chicago / 3.3：
The Art of Collaboration / 4：
A Short Overview of the Classical Ontological Landscape of Music / 4.1：
The Oniontological Extension to The Fourth Dimension / 4.2：
What Is The Art of Collaboration? / 4.3：
Collaborative Spaces in Free Jazz / Part III：
Which Collaboratories? / 5：
Ornette Coleman's Melodic Spaces in Free Jazz / 5.1：
John Coltrane's Harmonic Spaces in Ascension / 5.2：
The Innards of Time / 6：
Cecil Taylor: Unit Structures / 6.1：
Trance Spaces: Archie Shepp's The Magic of Ju-Ju / 6.2：
Dervish Dances: Albert Ayler's Love Cry / 6.3：
Gestural Creativity / Part IV：
From Philosophy to Thought Experiments / 7：
Philosophy, Performance, Music Theory / 7.1：
The French Approach to Gestures / 7.2：
Châtelet's Gestural Thought Experiments / 7.3：
Geometry of Gestures / 8：
Gestures Are Diagrams of Curves / 8.1：
Definition of Gestures and Hypergestures / 8.2：
Hypergestures, Cognitive Science, and Cavaillès / 8.3：
The Escher Theorem and Gestural Creativity / 9：
The Escher Theorem / 9.1：
Group Creativity and Categories of Hypergestures / 9.2：
Rebecca Lazier's Vanish: Lawvere, Escher, Schoenberg / 9.3：
Musical Poetology / 9.4：
What Group Flow Generates / Part V：
What Is Flow? / 10：
Mihaly Csikszentmihalyi's Flow Concept / 10.1：
Keith Sawyer's Group Flow / 10.2：
Miles Davis' Bitehes Brew / 10.3：
Gestures in Geisser's and Mazzola's Chronotomy / 10.4：
What Does Group Flow Produce? / 10.5：
The Symbolic Axis of Distributed Identity / 11：
Groups from Gestures / 11.1：
The Fourier Ballet / 11.2：
Passion / 11.3：
Archie Shepp's Coral Rock / 11.4：
Epilogue / Part VI：
From Pre- to Postproduction: The Infinite Listening / 12：
Global Strategies for Free Jazz / 13：
The Future of Free Jazz / 14：
References
Getting off Ground / Part I：
What Is Free Jazz? / 1：
The Social, and Political, and Musical Origins of the Movement / 1.1：
2.

電子ブック
ＥＢ
2. Flow, Gesture, and Spaces in Free Jazz
Guerino Mazzola, Moreno Andreatta, P. B. Cherlin, Paul B. Cherlin, Heinz Geisser, Tetrade (Musical group), Nathan Kennedy, Mathias Rissi
出版情報: SpringerLink Books - AutoHoldings , Springer Berlin Heidelberg, 2009
所蔵情報: loading…
目次情報: 続きを見る
Getting off Ground / Part I：
What Is Free Jazz? / 1：
The Social, and Political, and Musical Origins of the Movement / 1.1：
A Provisional Positive Characterization / 1.2：
Jazz in Transition / 2：
Archie Shepp in Donaueschingen / 2.1：
John Coltrane's A Love Supreme / 2.2：
Cecil Taylor and Buell Neidlinger / 2.3：
Bill Evans: Gestural Dialogs / 2.4：
The Landscape of Free Jazz / Part II：
Out of this World / 3：
Sun Ra: An Extraterrestrial Romantic / 3.1：
Coltrane's Om / 3.2：
Mythologies of The Art Ensemble of Chicago / 3.3：
The Art of Collaboration / 4：
A Short Overview of the Classical Ontological Landscape of Music / 4.1：
The Oniontological Extension to The Fourth Dimension / 4.2：
What Is The Art of Collaboration? / 4.3：
Collaborative Spaces in Free Jazz / Part III：
Which Collaboratories? / 5：
Ornette Coleman's Melodic Spaces in Free Jazz / 5.1：
John Coltrane's Harmonic Spaces in Ascension / 5.2：
The Innards of Time / 6：
Cecil Taylor: Unit Structures / 6.1：
Trance Spaces: Archie Shepp's The Magic of Ju-Ju / 6.2：
Dervish Dances: Albert Ayler's Love Cry / 6.3：
Gestural Creativity / Part IV：
From Philosophy to Thought Experiments / 7：
Philosophy, Performance, Music Theory / 7.1：
The French Approach to Gestures / 7.2：
Châtelet's Gestural Thought Experiments / 7.3：
Geometry of Gestures / 8：
Gestures Are Diagrams of Curves / 8.1：
Definition of Gestures and Hypergestures / 8.2：
Hypergestures, Cognitive Science, and Cavaillès / 8.3：
The Escher Theorem and Gestural Creativity / 9：
The Escher Theorem / 9.1：
Group Creativity and Categories of Hypergestures / 9.2：
Rebecca Lazier's Vanish: Lawvere, Escher, Schoenberg / 9.3：
Musical Poetology / 9.4：
What Group Flow Generates / Part V：
What Is Flow? / 10：
Mihaly Csikszentmihalyi's Flow Concept / 10.1：
Keith Sawyer's Group Flow / 10.2：
Miles Davis' Bitehes Brew / 10.3：
Gestures in Geisser's and Mazzola's Chronotomy / 10.4：
What Does Group Flow Produce? / 10.5：
The Symbolic Axis of Distributed Identity / 11：
Groups from Gestures / 11.1：
The Fourier Ballet / 11.2：
Passion / 11.3：
Archie Shepp's Coral Rock / 11.4：
Epilogue / Part VI：
From Pre- to Postproduction: The Infinite Listening / 12：
Global Strategies for Free Jazz / 13：
The Future of Free Jazz / 14：
References
Getting off Ground / Part I：
What Is Free Jazz? / 1：
The Social, and Political, and Musical Origins of the Movement / 1.1：
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