| Acknowledgements |
| Introduction / 1： |
| Space / Part I： |
| The First Modernity: Humans and Machines / 2： |
| Garden City and Functionalism |
| Structuralism |
| Formalism |
| Modernist Humanism? |
| Conclusions |
| Simulated Humanism: Postmodern Architecture / 3： |
| Avant-gardes |
| History |
| Humanism |
| Complexity |
| Vernacular |
| Conclujsions |
| Ground the City / 4： |
| Fields of Mapping: Grids and Labyrinths |
| Productions of Space: Classical and Gothic |
| The Other Modernity: Lived Space in Japan |
| Urban Space and Allegory |
| Society / Part II： |
| From System to Symbol: Durkheim and French Sociology / 5： |
| Space and Society |
| System |
| Symbol: Durkheim and Mauss |
| Symbol and Allegory: Simmel and German Sociology / 6： |
| Values and Facts |
| From Symbol to Allegory |
| Conclusion |
| Experience / Part III： |
| The Natural Attitude and the Reflexive Attitude / 7： |
| Alfred Schutz: from Meaning to Understanding Signification and Existence |
| Difference and Infinity: Derrida / 8： |
| Kant, Husserl, Derrida |
| Escape from Totality |
| Time and Self-presence |
| Three Modes of Signification |
| Judgement / Part IV： |
| Reflexive Judgement and Aesthetic Subjectivity / 9： |
| Finality of the Object, Singularity of the Subject |
| Permanence and Finitude: Gadamer |
| Discourse, Figure....Sensation / 10： |
| The Body With Organs |
| Greeks, Jews, Pagans |
| Objects / Part V： |
| Objects that Judge: Latour's Parliament of Things / 11： |
| Towards a Non-Modern Constitution |
| Morphisms Weavers and Object Trackers |
| Ç'accuse |
| Networks: Spiralling Time and Space |
| Bad Objects: Virilio / 12： |
| From Cité to War Machine |
| Death: Bads, Contingency, Theodicy |
| From War to Cinema |
| From the Mental and the Instrumental: The End of the Gaze |
| Polar Inertia: The Last Vehicle |
| Time of Exposure |
| The Symbolic in Fragments: Walter Benjamin's Talking Things / 13： |
| Allegory: The Aesthetics of Destruction |
| Protestant Ethic, Baroque Melancholy |
| Notes / 14： |
| Index |
図書
