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図書
図書
1. Instruments of desire : the electric guitar and the shaping of musical experience
Steve Waksman
出版情報: Cambridge, Mass. : Harvard University Press, 1999  x, 373 p. ; 25 cm
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Illustrations
Introduction: Going Electric
Playing with Sound: Charlie Christian, the Electric Guitar and the Swing Era / 1.：
Pure Tones and Solid Bodies: Les Paul's New Sound / 2.：
Mister Guitar: Chet Atkins and the Nashville Sound / 3.：
Racial Distortions: Muddy Waters, Chuck Berry and the Electric Guitar in Black Popular Music / 4.：
Black Sound, Black Body: Jimi Hendrix, the Electric Guitar and the Meanings of Blackness / 5.：
Kick Out the Jams! The MC5 and the Politics of Noise / 6.：
Heavy Music: Cock Rock, Colonialism, and Led Zeppelin / 7.：
Conclusion: Time Machine
Adventures in Sound: A Guide to Listening
Discography: Selected Recordings
Notes
Index
Illustrations
Introduction: Going Electric
Playing with Sound: Charlie Christian, the Electric Guitar and the Swing Era / 1.：
2.

図書
図書
2. Writing jazz : race, nationalism, and modern culture in the 1920s
Nicholas M. Evans
出版情報: New York : Garland Pub., 2000  viii, 321 p. ; 23 cm
シリーズ名: Garland studies in American popular history and culture
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Acknowledgments
Introduction: Things Ain't What They Used to Be? Race and Jazz Criticism
Music and National Culture / Chapter 1：
""The Jazz Age"": Nativism, Ethic Pluralism, and Their Discontents / Chapter 2：
F. Scott Fitzgerald and the Instabilities of Whiteness / Chapter 3：
Wandering Aesthetic, Wandering Consciousness: Langston Hughes's Early Jazz Poetry / Chapter 4：
Where Do We Go from Here? Works Cited / Conclusion：
Acknowledgments
Introduction: Things Ain't What They Used to Be? Race and Jazz Criticism
Music and National Culture / Chapter 1：
3.

図書
図書
3. Music, race, & nation : música tropical in Colombia (: cloth ; : pbk)
Peter Wade
出版情報: Chicago : University of Chicago Press, 2000  xi, 323 p. ; 23 cm
シリーズ名: Chicago studies in ethnomusicology
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Preface A Note on Recorded Music
Introduction / 1：
National Identity Race and Nation Nation, Gender, Race, and Sexuality Music, Identity, and Music Capitalism
La Costa and Musica Costena in the Colombian Nation / 2：
The Colombian Nation La Costa in the Nation
The Identity of La Costa Colombian Popular Music and Costeno Music
Origin Myths: The Historiography of Costeno Music / 3：
Cultural Dynamics in the Nineteenth Century Porro Cumbia Vallenato
Conclusion
Music, Class, and Race in La Costa, 1930-1950 / 4：
Class in Barranquilla, 1920s-1940s
Changes in Music, 1920s-1940s
Music, Class, and Race in La Costa
(Alegria! Costeno Music Hits the Heartland, 1940-1950 / 5：
Bogota and Medelln before Costeno Music
The Beginnings of Costeno Music in the Colombian Interior
Costeno Music: Reaction and Counterreaction
The Golden Era of Costeno MusicCand After "Al Ritmo Paisa": The Recording Industry Changes in Costeno Music, 1950-1980 / 6：
Costenos and Costeno Music in the Interior: Rejection and Adaptation, 1950s-1980s Bogota: Resistance Medellin: "More Costeno than La Costa"? / 7：
The Costenos in Bogota and Medellin Ownership, Embodiment, and Identity
Multiculturalism and Nostalgia: The 1990s Patterns of Consumption in the 1990s / 8：
Reviving Old Costeno Music Costeno Music and Costeno Identity A "Multicultural" Nation
Conclusion: Writing about Colombian Music / 9：
List of Interviewees / Appendix A：
Musical Examples / Appendix B：
Notes References Cited
Index
Preface A Note on Recorded Music
Introduction / 1：
National Identity Race and Nation Nation, Gender, Race, and Sexuality Music, Identity, and Music Capitalism
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